Key Highlights
• Trained as a photojournalist at The Poynter Institute.
• Specialized in landscape, macro, and texture photography.
• Utilized original photography to support marketing-communications content.
When I was young, my mother bought a B&W Polaroid camera. To instantly see a picture was pure magic to me. After the rest of my family grew tired of the novelty, I rescued it from disuse. At about 8 years old, I started experimenting with instamatics. Then in high school, I managed to buy a low-end 35mm film camera — a sturdy Vivitar I loved. I enjoyed years of shooting mainly B&W. At the time I also attended The Poynter Institute, where I studied photojournalism and got field experience in how to shoot and compose. After college, I bought my beloved Nikon 35mm. Later I transitioned to digital. I now use a Canon DSLR. I still miss film, yet the immediate experience of digital is rather like the magic of our old Polaroid.
Here is a sample of my landscape, macro, and texture work shot during my digital nomad years (2012-2024).
landscapes
I prefer to shoot alone because I shift into a 'zone' where all I perceive is through the lens, taking me to other worlds. My favorite is 'small worlds' — what we pass by unnoticed in our busy lives.
small worlds (macro)
As I travel again in the western U.S. in 2025, I intend to pursue the convergence of art and photography as I incorporate more of my photographic work into my paintings in the next few years. This might include experimenting with aerial and abstract photography.
texture and pattern